Showing posts with label blasted heath. Show all posts
Showing posts with label blasted heath. Show all posts

Thursday, 23 March 2017

Blasted Heath Pull the Plug



I'm sad to see Blasted Heath go. Not just because they've published a lot of my books (three novels, three novellas and a short story collection), but also because they've published so many great stories from a great bunch of writers. I read fantastic work from Anthony Neil Smith, Ray Banks, Heather Hampson, Elaine Ash, Nigel Bird, Damien Seaman, Gary Carson, Len Wanner... as I list these names I remember their worlds, and I hope to read many more of their words in the future.

Quick shout out to the Heathens above: sorry if I've missed anybody. I read a lot, and some of those books might be tucked behind another memory.

But the real point of this post is to thank Al Guthrie and Kyle MacRae for helping me reach readers. It's been a Blasted blast indeed. Thank you, good luck, and don't forget to write/email/Tweet. Do either of you still do the social media? It doesn't matter. You guys rock and always will.

Here, remember I got that Heathen tattoo? Still don't regret it, feckers. And it's not wrinkly yet.



Anyway, the books are going to be available for a few more days, I think. You can't keep good talent down, so they won't be unavailable for ever, but if you want the Blasted Heath version of any of their great titles, you need to move your hole. I'm no mathematician, but you can get my entire Blasted Back-list for less than a tenner. I think. Somebody else can run the numbers and let me know for sure.

Heathen love, peeps. Watch this space for news of future projects. You'll know when I know, and right now I know sweet feck all.

Keep 'er lit.

Thursday, 2 July 2015

Five Questions -- Nigel Bird



Nigel Bird is the author of several novels, novellas and short story collections, including Southsiders, In Loco Parentis, Smoke, Mr Suit and Dirty Old Town.

His work has appeared in a number of prestigious magazines and collections, including 2 editions of The Best Of British Crime,The Reader, Crimespree and Needle.

He lives on the East Coast of Scotland in Dunbar (Sunny Dunny) with his wife and three children.

As well as writing fiction, he has been a teacher for twenty-five years and has worked in a number of mainstream and special schools.

Gerard: You've named the chapters after songs. Is this the unofficial soundtrack or simply the best title for each chapter?

Nigel: For Jesse Garon and his father, music is hugely important in their lives. They are lovers of the rock and roll of the 1950s in general and Elvis Presley in particular. This passion provides just about the only glue their relationship has. For Jesse it goes further in the sense that it gives his outsider status in the community an identity. He’s a modern day rockabilly rebel in a place and time that have forgotten about the king and about rebellion. Using song titles as chapter headings came as a natural extension of that. Essentially it became something of a game. I had a piece of writing in front of me and had to find a track to match it, which meant I had hours of fun working through my records and CDs and got to listen to some mighty fine songs while I was working. I also finally discovered that You Tube has a purpose.

Gerard: Well, one of those chapters, 'Suspicious Minds', contains an observation, one of many, that made this book stand out for me. The subject of the observation is Jesse's social worker, Wallace. If you don't mind, I'll quote it here:

"Swearing was another one of those things people like Wallace could get away with. Like using words like damned and buggered made him an all right guy. Just like the people he was sent to work with except for the job, the clothes, the posh accent and the lifetime of opportunities."

Jesse's ANGRY, isn't he?

Nigel: Oh yes. And he has every right to be. The violence and neglect that he has experienced at home has been overwhelming. Worse, the system that purports to save him when things get really heavy is just as bad in a different way. He’s young, but he already knows a huge amount about injustice. What I like about him is the way he doesn’t let it extinguish all his hope. Instead, he allows his love of music to carry him forward with a glimmer of optimism as a guiding light.

As an aside, there were some amazing figures published very recently about the proportion of children who have been in care who end up in prison. It’s ridiculously high and points to the need for a major reform in the way we operate.

Here’s a quote from The Who Cares Trust:

‘23% of the adult prison population has been in care and almost 40% of prisoners under 21 were in care as children (only 2% of the general population spend time in prison).’

I’m not suggesting there’s a simple answer to helping kids who have begun life in traumatic circumstances, but I imagine that money, the opportunity to explore enlightened attitudes and making this a real priority for our society might be a good thing.

Gerard: And then there's Jesse's dad, Ray. He seems to counterpoint Jesse's anger with a sense of defeat. I do think you've sown enough hints to suggest that there was a fire in him before this book. Will this be reignited? Perhaps in a follow-on tale?

Nigel:  Very astute. Ray has a violent past that was rooted in a gang culture. The change came when he went solo and met his wife-to-be. It wasn’t long before he became the victim of her violent outbursts. Something in his upbringing wouldn’t allow him to fight back against a woman and he became trapped by his love for her. Imagine the humiliation a hard man might feel after regular kickings from his missus. It alienated him from the outside world and led him to escape into the bottle. The fire was extinguished and he was wrecked.

This also relates to the previous question about Jesse’s anger. I think that his father’s helplessness and inability to protect his son are key ingredients in that emotional mix.

As for the next book, Ray is a major player and there’s certainly more of his frustration and defeat. Whether that leads to the reigniting of his fuse or not, I’ll leave that to the readers to find out.

Gerard: The chapters written from Jesse's perspective make him seem older than primary school age. It also seems intentional since you counterpoint his character with a lot of innocent notions. Is it safe to assume that you're aware that a tougher life can make kids think and act in surprising ways? Were you worried anybody would challenge Jesse's maturity?

Nigel: I was never too concerned about the question of Jesse’s maturity. You put it well in the question - a tough life can certainly give a child a range of experiences that may force them to grow up very quickly. That maturity is also a veneer that covers the other frailties and vulnerabilities of childhood. My intention was to find the balance between those points and I hope I succeeded.

I did have other concerns about Jesse’s age. I worried that it might be difficult for the book to find an audience. It may be about a young lad in a dysfunctional family, but it certainly isn’t a young adult or new adult book. It’s about darker areas of our world. I think there are people who find it difficult to view youngsters within that context. It might also put off readers who ordinarily enjoy stories within similar settings. The idea of having a twelve-year-old as a main character might suggest that it’s not gritty enough. Even when this was pointed out to me, I decided to stick to my original intention – Jesse was far too ingrained in me by then to alter who he was.

On the flip-side, keeping Jesse young has allowed me to take him on a journey towards adulthood. In my latest visit to his world he was fifteen and growing up extremely quickly. That’s been a real treat for me as a writer.  

Gerard: If you could spend a little time with Jesse and Ray, would you have any advice to impart on them?

Nigel: None that they’d accept. I think Jesse tends to make good decisions - his problem is more that circumstances keep turning against him. I’d tell Ray to stay in Belfast. See if he couldn’t carve out a life over there. That makes a lot of sense.

I do like the idea of spending time with them. They’d be good company. We could talk about music all night and I might be able to get Ray to throw in a few tales of his wild years. That sounds like a lot of fun.

Nigel Bird is published by the awesome Blasted Heath and can be found on Twitter and Facebook. Keep up with this guy!

Thursday, 23 April 2015

HASTAC

Pronounced as haystack...


I've rattled out a few blog posts over at a collaborative scholarly-type site by the name of HASTAC. It's basically a social network to explore the digital world and attempt to harness it for the good of humanities. Synergy, baby.

Anyway, my blog posts might be interest to some of you. It might not. Here's the opening paragraph to the latest blog post. If you want to learn more then click on through to the HASTAC site.

Cheers!

"In my previous post I relayed some information on digital publishing, the emphasis being on the effects that a BookBub ad had on one of my novels. The ad was designed to inform BookBub subscribers that my ebook, FIREPROOF, would be available to download for free direct from Amazon's Kindle site (UK only -- I'll get back to that later). That meant that if you had a Kindle reader of any generation -- or indeed the Kindle app on your phone, tablet or computer -- you could read one of my novels for free. I held off on a follow-up post as I was aware that my publisher, Blasted Heath*, was pursuing a second ad for a second title..."

Click here for the rest.

Saturday, 18 April 2015

UNDERCOVER Freebie



Delighted to learn that the good people at Blasted Heath have secured a BookBub ad for UNDERCOVER this coming Monday to promote the Amazon UK giveaway. When they did this for FIREPROOF the results were pretty pleasing. Thousands of people took advantage of the freebie and sixteen of those readers took the time to review it. To put that in perspective, the most recent review before the ad was sixteen months old. Post-giveaway sales increased too (which wouldn't be hard since it was my worst-selling title). All good.

And now, the novel that I think of as my most commercial to date is going to get the same opportunity. This, right now, is the magic moment where I can let my imagination run wild and believe that Monday will be the key moment in my writing career.

It won't be, but it does no harm to dream, does it?

Get your copy of UNDERCOVER here, UK Kindle readers.

Tuesday, 17 March 2015

Fireproof Freebie



So, Blasted Heath have secured a BookBub ad for my novel, FIREPROOF. The ad went out today as part of this week's BookBub newsletter. Interesting timing, this being St Patrick's Day. St Patrick was tasked with spreading Christianity to Ireland's heathen shores. And the rest of the island, like. The protagonist of my book is on a mission for the other guy. It's up to Mike Rocks to spread Satanism 'round these parts.

So, today I'm celebrating Anti-Saint Mike's Day. And the novel in question is free. If you haven't gone out and got yourself so drunk that your own ma' would be ashamed of you, then maybe take a minute to check it out. Probably not for the religiously sensitive, but then, I'm not seeing a whole lot of Christian behaviour going on today, either. Seems more like heathen mischief to me. More power to the revellers.

Contrary wee bastard that I am, if I do have a drink tonight, it'll be a dram of Scotch (though to be totally honest, I've a wild hankering for an Irish coffee).

Happy Booze Day, people.

If you're not signed up to BookBub, you can get Fireproof for free directly from the Kindle store.

Some Amazon links:

UKUS and CA

Unconvinced about the premise? Check out what the master wordsmith, Ken Bruen had to say about it below. If that guy can't convince you, I may as well burn the damn thing. Except it's Fireproof. Tee-hee.

“…Also, I'm in a monogamous relationship, so I don't really agree with orgies."
"Sacrifices and orgies have nothing to do with the religion. All that shit was developed by people who wanted to kill things and shag a lot. That's not what it's all about."
"That right?"
"Yeah. I've been working hard to try and shake that kind of misconception."
"Working as what?"
"A representative of Lucifer. I was s
ent here to build a Satanic Religion."
"Okay. Why did Lucifer think a tattoo parlour was the best place to start?"

“This is just one of the various scintillating hilarious surreal chats in Fireproof, the new novel from the excellent Gerard Brennan.
Phew-oh, GB's début was terrific but this is a huge leap forward, an assured fully-formed artist in total control of his art.
Equally hilarious and jaw-droppingly violent at once.
Reading this novel was a total blast.
Catapults GB to the very first league.
And… you'll never… ever see Cadbury's n' Nestle in quite the same or indeed sane fashion again.
Superb.
Thanks, Gerard, for a wondrous read.”

From Ken Bruen, Shamus award winning author of much genius.

Tuesday, 10 February 2015

Disorder in Order



Following a meeting with my PhD supervisor yesterday, it would seem that my novel, DISORDER, is on the right track. There is more work to be done (isn't there always?), but not quite as much as my worst-case-scenario thoughts might have suggested. It's all good.

So, now follows a period of thinking time before I tackle it again. This will be facilitated by the kind folk who will be sending me their thoughts when they get a chance to look at the early draft. A few have even gotten back to me already. Many thanks, you absolute stars.

And so, mostly because I can't just sit on my arse ALL day and think about one book, I have other things to get done. Most of them involve sitting on my arse and typing. Thankfully, I'm back at the gym following an injury that became an excuse to be lazy long after it was healed, so I'll spend some time on my feet (and my back) as well.

Again, paranoid that if I release too much info on any of this stuff it'll curse it all, I'll be a little vague for this next paragraph or two.

I still need to seek out and woo agents of various stripes. My screen and stage writing badly needs representation. I have two television scripts, a movie script and I'm working on a play, but I have no idea what to do with this stuff. And while I would like to have a literary agent again, I can get by without one for now, so I haven't put much energy into securing a new one yet. So, maybe this would be a good time to look at agencies that could accommodate all three of my writing streams. Certainly, there's been little response to my half-assed "can anybody recommend an agent?" approach that I sometimes indulge in on Twitter or Facebook.

And while I know that the agent thing is important, I try not to allow myself too much time off from writing. That is the number one concern for a writer, surely? It might also be the reason why I've got stuff on my computer that I keep forgetting to send out to be read/considered/rejected. On the bright side, it also means that I'll be able to release a fourth novel through Blasted Heath this year. Not another Cormac Kelly just yet (but that's coming, trust me). I have a new character to put out there first. Detective Shannon McNulty's first adventure will be available in the near future. No actual date yet, but I'm hoping it'll hit virtual bookshelves by the summer.

So, that's an update that ran longer than I intended. It was my intention to simply list the books that were very important in the writing of DISORDER but I got a little chatty. Here's the list anyway:

Fiction
The Maltese Falcon, Dashiell Hammett
The Glass Key, Dashiell Hammett
The Friends of Eddie Coyle, George V. Higgins
The Hunter, Richard Stark
Cotton Comes to Harlem, Chester Himes
The Prone Gunman, Jean-Patrick Manchette
Interface, Joe Gores
The Man With the Gloved Hand, Joe McKimmey
Stumped, Rob Kitchin

Non-fiction
Plotting and Writing Suspense Fiction, Patricia Highsmith
Writing Mysteries, ed. Sue Grafton
Steal Like An Artist, Austin Kleon
The War of Art, Stephen Pressfield

There may be one or two books that I've forgotten about that contributed directly to the writing of DISORDER, but if they come to mind later I'll slip them into the list. I read quite a bit of academic non-fiction as well, but that was for the critical component of my PhD, and so it's not really relevant to this particular post. I'll maybe put a full bibliography on the blog when I've completed the whole thing in another year and a half, but the above will do nicely for now.

Thursday, 30 October 2014

Ken Bruen on FIREPROOF


“…Also, I'm in a monogamous relationship, so I don't really agree with orgies."
"Sacrifices and orgies have nothing to do with the religion. All that shit was developed by people who wanted to kill things and shag a lot. That's not what it's all about."
"That right?"
"Yeah. I've been working hard to try and shake that kind of misconception."
"Working as what?"
"A representative of Lucifer. I was s
ent here to build a Satanic Religion."
"Okay. Why did Lucifer think a tattoo parlour was the best place to start?"

“This is just one of the various scintillating hilarious surreal chats in Fireproof, the new novel from the excellent Gerard Brennan.
Phew-oh, GB's début was terrific but this is a huge leap forward, an assured fully-formed artist in total control of his art.
Equally hilarious and jaw-droppingly violent at once.
Reading this novel was a total blast.
Catapults GB to the very first league.
And… you'll never… ever see Cadbury's n' Nestle in quite the same or indeed sane fashion again.
Superb.
Thanks, Gerard, for a wondrous read.”

From Ken Bruen, Shamus award winning author of Headstone



Wednesday, 22 October 2014

UNDERCOVER - Chapter 1

Chapter 1



If you're standing between me and the goal, you're not my friend.
Rory Cullen, CULLEN: The Autobiography


Cormac Kelly nibbled on the inside of his ski mask. He'd been given the only one without a mouth-hole and it was driving him nuts. The damp fibres irritated his lips. He'd already swallowed four or five little balls of chewed wool but couldn't stop himself from biting off another tiny piece. They stuck to the walls of his dry throat. He'd be hawking up hairballs all night.
It didn't matter what line of work you were in, the new guy always got the crap. A ski mask with no mouth-hole, a dinged-up old Ruger Security Six revolver in serious need of a clean, and the shittiest job – babysitting.
The kidnapped man slumped in the middle of a bare mattress pushed up against a damp wall. The boy sat slightly apart from his father. His knees were drawn up to his chest and his arms wrapped around his shins. His head tipped back to rest against the wall. He hadn't uttered a peep since Big Frank had scared him with a few dummy digs for the camera. Once or twice the boy had glanced at his father with disappointment etched deep in his face, as if he wondered how his guardian, his hero, his protector, had let them get into this mess.
And it didn't look as if Daddy was going to spring into action mode any time soon. Although the boy wouldn't understand it, this was the best thing his father could do for him. Heroics got people killed.
Big Frank blundered into the room. He moved without grace and his footsteps clapped like thunder. The boy tensed at the sight of the juggernaut who'd bullied him for the camera. Built like a silverback on steroids, Big Frank would scare the life out of most men. Put him in a ski mask and he became the stuff of nightmares. His lips stretched wide as he treated Cormac to a craggy-toothed smile through the mouth-hole of his ski mask.
"The boys are waiting for the bitch at the cottage."
The father's frame tensed. He breathed deep but didn't complain. The boy shot a death stare at Big Frank. Looked like he was ready to jump up and lamp the giant. Fiery wee bastard.
Cormac kept an eye on the boy as he responded to Big Frank. "Great."
"Aye, she'll be scared shitless. That wee video turned out a beezer."
"Okay."
"Amazing what you can do these days, isn't it? I mind a time when you'd have to send fingers through the post to get what you wanted. Everything's digital now."
"Aye."
"It's like living in the future."
Cormac could see that Big Frank's brainless chatter poked at the boy like a rusty spike. His little fists clenched up into white-knuckled knots of fury. He was bound to do something stupid if Cormac let the oaf ramble on.
"Would you put the kettle on, mate?" Cormac said. "I've been gasping for hours."
Big Frank took a step back. "Get away to fuck. You think this is a day at the office?"
"Don't know, big man. Aren't you the one gabbing away like we're on our tea break?"
Big Frank's teeth disappeared behind a tight-lipped slit. He turned in a clumsy half-circle and headed for the door.
Cormac couldn't resist a parting shot. "And tell that other fat shite-bag to come in here and do a turn. He's not even offered me so much as a toilet break."
"You can piss yourself, you wanker."
Big Frank clattered out of the room and slammed the door behind him. The father and son flinched, though Cormac thought he could see the trace of a smirk on the boy's face. He was tempted to engage the young fellah in some idle banter but knew it to be a bad idea. So he went back to chewing on his damp balaclava. It passed the time.
###


Lydia Gallagher stepped onto the cast-iron doormat of the cottage and rummaged through her handbag for the key. Her rain-soaked hair clung to her face. She wished for an umbrella, gave up the hunt for the key and hammered on the door with the side of her fist.
Footsteps thudded on the other side of the windowless slab of oak and she brightened in anticipation of John's welcome. It had been a long day and she craved a decent glass of Pinot. She turned to wave her taxi away. Its tail lights disappeared behind the hedging on the side of the main road.
The door creaked open. Lydia gazed deep into the twin barrels of a sawn-off. The shotgun's hollow stare watched without passion. She took one step backwards. Gravel scrunched under her heel.
Run.
But she couldn't.
Lydia looked over the sawn-off at the gunman. Eyes as dispassionate as the shotgun muzzle nestled in the peepholes of a black ski mask. She raised her hands.
The gunman reached out and grabbed Lydia's lapels with his free hand. He kept the shotgun trained on her face and walked backwards into the hallway. Lydia followed without resistance. She listened out for her family. Nothing. The light in the kitchen was out. A telltale sign that Mattie, her son, hadn't mooched in the cupboards for a pre-dinner snack. Whatever was going on had started a few hours ago.
"Where are they?"
The gunman said nothing. He yanked her into the living room.
The television played on mute. Two more masked men sat on the sofa and gazed into the pale blue light of a documentary about sharks. They didn't look up at her, but Lydia noticed one of them lift a handgun from the arm of the sofa and thumb a little switch on the side. Acknowledgement enough.
She tried again. "My son. My husband. Where are they?"
The silence crept into her bones. She could have screamed, but it seemed wrong. Like belting out a football chant in a chapel.
The first man shoved her into the armchair closest to the TV – furthest from the door. He stood in front of her. Lowered his sawn-off.
"What the fuck do you want?" Lydia was hyper-aware of her London accent in the eerie calm. She could feel the panic take hold of her heart. Claw at her lungs. Tie knots in her bowels.
The man with the sawn-off leaned forward and back-handed her across the face. Instinctively she kicked out at him. Her leg arced upwards as she aimed her shin at his groin. He parried her kick with his knee and slammed the palm of his hand into her forehead. The dull thwack juddered her vision and shoved her head against the back of the seat. She blinked away black dots. The pain faded quickly but left a hangover of weakness and humiliation.
The men on the sofa shifted forward and perched on the edge of their seat. With elbows on knees, they watched. Lydia tried not to think about what they might be expecting to happen. She squirmed. Needed to pee.
"Take off your shoes."
The gunman's Belfast growl matched his mask.
Lydia raised her hands to ward off another attack. "What is this? I don't… Are you an IRA man?"
He swept her hands to the side and slapped her again. It stung like he'd shoved her face in nettles. One of the sofa jockeys sniggered.
"Shut your mouth and do as you're told, wee girl."
Lydia kicked off her heels. The tingle of fresh circulation in her toes didn't bring the usual relief. All she felt was fear and confusion. She didn't understand why he wanted her shoes. Maybe he was worried that she'd try and hit him with one of them. She prayed that he wouldn't ask her to remove anything else.
The gunman punted her shoes into the corner of the room.
"Give me your handbag." In his thick Belfast accent it sounded like he wanted her hawndbeg.
Lydia handed it over. He studied the brand logo on the buckle.
"Is this a real Lewis Vuitton?"
Lydia paused a second before she nodded.
He curled his lip in distaste and tossed the bag into the corner with her shoes. The contents clattered.
"Now your coat."
"How far is this going to go?"
"Don't flatter yourself, love."
Lydia struggled out of her knee-length coat. She was afraid to stand in case she earned another slap so she shifted from side to side as she dragged it out from under her bum. Just another indignity.
The gunman threw the woollen coat into the corner and moved to the other armchair. A black canvas holdall sat on the cushion. He unzipped it and poked around inside.
Lydia's skin tightened into gooseflesh. The house was cold. It smelt wrong. The scent of strange men.
The gunman pulled a smartphone from the holdall and handed it to one of the sniggering sofa jockeys. "Get the thing working."
He tapped the screen a few times and passed it back to the gunman. He brought it to Lydia and dropped it in her lap.
"Watch."
Lydia picked up the phone and squinted at the little display.
A masked man stood over Mattie – her thirteen-year-old son – with his fists curled. Mattie scuttled backwards on all fours, his mouth pulled back in a ghost train grimace.
Lydia sprang out of the armchair and launched herself at the gunman. She clawed at his eyes and caught a handful of ski mask. The gunman danced backwards and batted her hands away. He was light on his feet and skilled. Lydia shrieked and stepped up her attack. Swung arms and legs at the dancing bastard. He sidestepped. Buried the butt of his sawn-off into her solar plexus. Air whooshed from her lungs. She wheezed and crumpled face-first into the carpet. Hitched her breath, sputtered and pulled her knees under her chest.
The ten seconds of footage from the video clip played on a loop in her mind.
She cried.
A rough hand seized a fistful of hair from the back of her head and hauled her to her feet. She tried to strike out behind her with the heel of her shoeless foot. Earned a kick in the backside for her troubles. Hot breath blasted in her ear.
"Settle yourself."
The fight drained from her and she sagged. The gunman practically held her up by the hair. He led her back to the armchair and dropped her into it.
The gunman adjusted his ski mask and sighed. "Your son hasn't been hurt. Yet. Neither has your husband. But we will hurt them if we don't get what we want. Hurt them a lot and then kill them. Let that sit with you for a second or two. See how it makes you feel."
Lydia gripped the arms of her chair. She opened her mouth to speak.
The gunman raised a gloved finger to the lower part of his ski mask. Lydia clamped her mouth shut.
"Now, Missus Gallagher. You listen to me and do exactly as I say."
She swiped fresh tears from her eyes with the sleeve of her suit jacket. "Okay."
###


Cormac had almost gnawed himself a ragged mouth-hole when Paddy waddled into the room. Paddy weighed about as much as Big Frank did, but he was made up of doughy fat that drooped from his bones like custard in a condom. His arms were always in motion as if they couldn't find a casual spot on his soft body to rest against. Paddy was the lame duck of the crew. A blood connection with the boss was the only thing that booked him a place on these jobs. And yet, he still ranked higher than Cormac.
Paddy brandished the hi-tech phone that they'd filmed the boy and Big Frank on. "I've the woman on the blower. She's to talk to the kid."
Cormac flapped his hand at the boy. Paddy walked past the father to hand over the mobile. The boy took a deep breath before speaking.
"Hello…? Yeah, it's Mattie, Mum." He screwed up his face. "I'm fine." Then he glanced at his father, his young face hardened. "Yeah, he's okay too."
Paddy snatched the phone away from Mattie's ear and pressed it to his own. "Right, that's all you get for now, missus." He disconnected the call.
Cormac nipped across the room to cut the departing Paddy off at the door.
"Lend us the mobile for a bit, will you?"
Paddy gave Cormac one of his watery-eyed looks. His nose twitched visibly under his ski mask. "What for?"
"I'm bored shitless here. Wouldn't mind a wee tinker on it to pass the time."
"You going to call one of them dodgy numbers, big lad? Heavy breathing and all that?"
"Fuck off. I'll just piss about on the apps or something."
"What are apps?"
Cormac shook his head. "Can I have it or not?"
Paddy shrugged and handed over the touch-screen phone. "Whatever. Just don't get too distracted, all right? You're meant to be working."
"No sweat, boss."
Paddy puffed his chest and his considerable man-boobs strained the front of his black cotton shirt. Suitably inflated by an ounce of respect, he gave Cormac a curt nod and waddled out.
Cormac turned his back to the family, gave the phone a quick once over, then flipped open a tiny flap on the side of the casing. He took a miniscule memory card from the watch pocket of his jeans and slipped it into the slot. A few taps of the screen later and he had the video of Big Frank threatening Mattie on the card. He ejected his little piece of evidence and tucked it back into his watch pocket.
A present for his handler.



 Paperback UK and US

Ebook

Monday, 11 August 2014

UNDERCOVER: The Cover is Blown

I'm trying not to get too excited about the release of UNDERCOVER in September, but I'm curious about how it's going to be received. The folks at Blasted Heath believe it to be my most commercial novel to date. Part of me wonders if that's a good thing...

Did I mention that there's a pre-order page for it over on that wee Amazon site? Because there is. Click here. Or, if you use the US version of Amazon, click here. It's on all the other Amazons, I believe, but I've a blog post to get through here so I'll choose to believe that people can find the relevant pages pretty quickly with the help of a search engine. Ach, all right, here's a Canadian link, but no more!

Now, for those who can't be arsed clicking the links, here's the cover and the blurb:


When undercover detective Cormac Kelly infiltrates a ruthless gang bent on kidnapping and extortion, he is forced to break cover and shoot his way out of a hostage situation gone bad. Tearing through the dangerous streets of Belfast with a twelve-year-old boy and his seriously injured father in tow, Kelly desperately tries to evade the gang and reconnect the family with the boy’s mother, football agent Lydia Gallagher. But she is in London, unaware of their freedom and being forced by the gang to betray her top client. As Kelly breaks every rule in the book and crosses the line from legit police officer to rogue cop on the run, the role of dapper but deadly ex-spook Stephen Black means the difference between life and death…

Did you see that? Slipped right into salesman mode. This commercialism business is getting to me.

But still, I'm excited; no point trying to curtail that. And yes, I'm working on getting the paperback version out there. In doing so I've learned that typesetting sucks monkey butts, but lots of nice people out there are willing to help you out. In other words, don't blame me if it looks shite.

P.S. I'm going to Bouchercon this year! Check out the list of attendees. More on that in another post.

Tuesday, 17 June 2014

New Novel - Coming Soon*

*Don't ask me how soon, exactly... I'm not sure yet. But check out the cover!

Blurb to follow soon enough. Just know that it's the first of a new series that will be published by Blasted Heath. I'm excited about this project and not at all daunted by all those words that have to be written to back up the claim that Cormac Kelly is my new series character.


Wednesday, 5 February 2014

From the Blasted Heath Newsletter

Blasted Heath logo
Hello heathens

Good news!

Breaking Point by Gerard Brennan is:
 
  • OUT TODAY...
     
  • FREE UNTIL FRIDAY (so be quick)
 
Get it on Amazon here.

If you'd rather have an EPUB or PDF version, you can download that here

Breaking Point by Gerard Brennan

Brian Morgan's relationship with his weed dealer has moved on to the next level.

Stony Tony is a kung fu enthusiast with ambitions to become a master in his own style. But first he needs to establish a loyal following of students.

Brian could use some time away from Rachel O'Hare to figure out whether he loves her or is afraid to leave her, although it's hard to focus on anything after a few tokes of Tony's Blueberry Cheesecake.

Rachel is as indecisive about their relationship as Brian, but she knows that no good can come of a strange little pot-head getting involved in their lives.

Meanwhile, a goon with a bad ear a big grudge also has eyes for Brian...

Breaking Point (book two in The Point series) is a 23,000-word novella by the author of Wee RocketsWee Danny andFireproof

Enjoy!

Tuesday, 31 December 2013

Bumming and Blowing


The title? Bumming and blowing? It actually doesn't have any sexual connotations (yes, I lower the tone so you don't have to). The Belfast side of my family use this phrase when they think somebody is boasting. "Him? Ach, he's just bumming and blowing again..."

Why is this titled so? I've been thinking about writing an 'end of year' blog post for a few days now, and can't help but think that it can only read as an ego trip on my part. I just want to tell everybody what a great year I had without boasting. Not easy, and the temptation is to simply say nothing. But I don't want to be ungrateful either. The year's been very good to me and my wee family. Rest assured, we've had plenty of downs to go with our ups; nobody gets an easy ride. And while I've had good luck, I've also worked my backside off. Seriously, it's quite a bit smaller than it was at the start of the year.

This being a blog that's supposed to be about reading and writing, I'll just mention one momentous day in 2013 that changed my entire life.

13/3/13, I saw the first stage performance of The Sweety Bottle and found out that I'd been accepted onto a funded creative writing PhD at Queen's University Belfast. Thank you to Brassneck Theatre Company and all who've helped me at QUB's School of English (staff and fellow students alike). Some individuals deserve more thanks than others, but I'm too scared that I'll leave somebody out and offend them, so no list of names. I do need to thank Blasted Heath, however, the awesome digital publisher that believes in and pushes my prose beyond all my expectations.

But, yeah... 13/3/13 (or 3/13/13 US Style, though I prefer the symmetry on our side of the pond). That was an incredible Wednesday, dampened only by the fact that one of my sons managed to get something stuck up his nose and had to be taken to hospital. Up, up, down. But even the nose incident was a nice reminder of how good I have it. My wife took care of the boy and sat with him for hours in A&E while I watched the play with my father (and co-writer of The Sweety Bottle), my mother, my eldest sister, her husband, their baby (in bump form) and a bunch of Brennan family members who were able to attend.

I have one resolution for 2014. Work harder.

If I continue to put the effort in, I get to be a full-time student and writer -- that's right, no office day-job for the foreseeable future -- until well into 2016. After that...?

Let's just hope I don't fuck up, eh?

Happy new year, people.

Friday, 27 December 2013

Pictures Mean Prizes



I'm running a giveaway on my Gerard Brennan (writer) Facebook Page.

It runs a little something like this:

"Check out the Blasted Heath newsletter about the "12 Days of Kindle" sale over at Amazon UK. WEE ROCKETS is one of the books selected! 

http://us2.campaign-archive1.com/?u=78b2c3b60001073b7b7ee9941&id=91f24d59da&e=85aedef61b

Help get WEE ROCKETS up those charts by buying a Kindle copy for a mere 99p.

AND, if you post a picture of the cover to prove it's on your Kindle, iPad, tablet or whatever you read ebooks on (tag me in a Facebook post to alert me) [edit Sunday 29/12/13: screen-grab or take a digital photo with your smart phone, whatever works], I'll send you a copy of my novella, BOUNCE, anywhere in the world. Even if you bought WEE ROCKETS months ago, you're eligible simply by posting a pic.

I have 5 copies of BOUNCE here, so first five pics scoop the prizes.

gb"


You can listen to a few chapters from BOUNCE here, BTW.

EDIT: Sunday 29/12/13 20:48 GMT


Five winners(?) are:

Ryan Bracha
Garry McElherron
Katrina Tia Charles
Kieran Doherty
Brandon Nagel

I'll be sending the booklets out tomorrow.

Wednesday, 23 October 2013

George McFly Day!



I got the first batch of WEE ROCKETS paperbacks today. Opening that box made me so happy. I've been dreaming about seeing this book in print for years. It didn't happen the conventional way, but feck it. These are changed and challenging times as far as publishing goes. The reviews and sales of the Blasted Heath e-book were enough to convince me that the novel deserved a dead-tree version.

So, I'll have a small number of copies to bring with me to the KILLER BOOKS festival in Derry 1st - 3rd November. You can get all the details of that mega weekend a few posts down.

Here's hoping I can sell a few, eh?

Now that I've seen how gorgeous it is, I'll be ordering more and will sell them directly (payments via paypal most likely), signed and/or dedicated if that's your thing, to anybody that wants one.

Form an orderly virtual queue there, will you?

Just contact me by email or through one of the social medias. You'll find links in the previous post.

Wednesday, 9 October 2013

Paperback Blighters

So, this is happening to the WEE ROCKETS:

Click the image for a closer look.

Yes, thanks to the cool and ridiculously sober Kyle MacRae, WEE ROCKETS will soon be available in print format. I'm hoping that it'll be ready in time for the KILLER BOOKS festival in Derry (1st to 3rd November) and that somebody will buy a copy.

I'm pretty excited about this, you know. WEE ROCKETS has sold relatively well as an ebook, but I'm dying to see it in dead tree format. Here's hoping it turns out as well as I've imagined.

If anybody is interested in picking up a signed copy who can't make it to the festival, drop me a line and we'll work something out.

Monday, 26 August 2013

The Point Returns

It's an oldie but a goodie. Following the unfortunate demise of Pulp Press, THE POINT is now available on Kindle once more, thanks to those Blasted Heathens, Al and Kyle. Really excited about this and chuffed by the new cover. Anybody who's read it should get the significance of the image right away. If you haven't read it, now's your chance for a measly 99p. You can't even get an ice cream with a flake in it for that these days.

 Anyway, said cover, a blurb and some nice things said by some rather splendid writers:


Paul Morgan is a bad influence on his brother, Brian. When Paul crosses one thug too many, the cider-fuelled duo flee Belfast for Warrenpoint, the sleepy seaside resort of their childhood memories. For Brian a new life in The Point means going straight and falling in love with Rachel while Paul graduates from carjacking by unusual means to low-level racketeering. Brian can't help being dragged into his brother's bungling schemes, but Rachel can be violently persuasive herself . . . and she isn't the only one who wants to see an end to Paul's criminal career.

THE POINT is a 27,000-word novella by the author of WEE ROCKETS and FIREPROOF.

What They're Saying About THE POINT

"The Point is the real deal — the writing is razor sharp, the characters engaging, the ending a blast. From start to finish it's true Northern Noir, crafted with style and wit." – Brian McGilloway 

"The Point is top stuff. Engaging from the start, the characters are loveable, the story is strong and the pace never lets up." – Adrian McKinty 

"…a Coen Brothers dream, via Belfast… Gerard Brennan grabs the mantle of the new mystery prince of Northern Ireland…" – Ken Bruen

"It needs to be said that Gerard Brennan's The Point is terrific. Scorchingly funny, black humour at its finest and the most inventive car theft ever!" – Arlene Hunt

"Noir from Norn Iron! A lean slice of grindhouse from Belfast's new crime hack." – Wayne Simmons




It'll also be available on Nook US, Kobo and Apple in the next week or so. Get some!

By the way, have you signed up for the Blasted Heath newsletter? You really should.

Monday, 19 August 2013

Wee Danny -- Assorted Links



The good folk at Blasted Heath have got a web page dedicated to WEE DANNY and links to all the websites it's available from: Kindle, Kobo, Apple, etc. Click here and see if they can accomodate your e-reader/tablet of choice.

But if you need a little more convincing to part with your dollars (or a fifty pence coin in the cases of Amazon and Apple) have a look at these links to awesome blogs that have either interviewed me, reviewed WEE DANNY or both.

Just A Guy That Likes To Read -- interview and review.

Big Al's Books and Pals -- review.

Do Some Damage -- interview.

Been Caught Reading (Katy O'Dowd) -- interview.

I'll add to this list as and when, depending on luck and kindness.

Tuesday, 23 July 2013

WEE DANNY, OUT NOW!


Wee Danny by Gerard Brennan

Wee Danny

by Gerard Brennan


Incarcerated in a home for young offenders, Wee Danny Gibson has learned how to act in front of his teachers, his educational psychologist and the institute's supervisors. And if he continues to keep his nose clean, he could be rewarded with a day-trip to Castle Ward.

But good behaviour is no easy task when his fellow inmates are determined to get in his face. Then there’s Conan 'The Barbarian' Quinlan, a gentle giant who Danny feels compelled to look out for.

Friend or liability? Danny can't be sure, but he knows he needs to stay focussed on that little taste of freedom.

If you've read Wee Rockets, you'll love Wee Danny!

OUT NOW!
Amazon UK
Amazon US
Nook
Kobo
Coming to iBooks soon...

Thursday, 6 June 2013

Now with blurbs!


Wee Danny by Gerard Brennan

Wee Danny

by Gerard Brennan


Incarcerated in a home for young offenders, Wee Danny Gibson has learned how to act in front of his teachers, his educational psychologist and the institute's supervisors. And if he continues to keep his nose clean, he could be rewarded with a day-trip to Castle Ward.

But good behaviour is no easy task when his fellow inmates are determined to get in his face. Then there’s Conan 'The Barbarian' Quinlan, a gentle giant who Danny feels compelled to look out for.

Friend or liability? Danny can't be sure, but he knows he needs to stay focussed on that little taste of freedom.

If you've read Wee Rockets, you'll love Wee Danny!







The Point by Gerard Brennan

The Point

by Gerard Brennan


Paul Morgan is a bad influence on his brother, Brian.

When Paul crosses one thug too many, the cider-fuelled duo flee Belfast for Warrenpoint, the sleepy seaside resort of their childhood memories.

For Brian, a new life in The Point means going straight and falling in love with Rachel - while Paul graduates from carjacking by unusual means to low-level racketeering.

Brian can't help being dragged into his brother’s bungling schemes, but Rachel can be violently persuasive herself...

And she isn’t the only one who wants to see an end to Paul’s criminal career.

Sunday, 2 June 2013

New Blasted Heath Releases coming soon -- like, this month!

Check out these lovely covers. Danny Boy was designed by JT Lindroos and the reissue of THE POINT by Kyle MacRae. And thanks to Allan Guthrie for the edits. Blurbs to follow for both novellas when I'm happier with them, but I'm more than willing to answer any questions here or anywhere else you want to track me down. So long as they're easy questions, like.



(Click the images for a closer look)

Both books will be available for your Kindle, PC, Tablet and/or Smartphone super-soon.