Showing posts with label steve cavanagh. Show all posts
Showing posts with label steve cavanagh. Show all posts

Friday, 14 July 2017

Episode 38 of Two Crime Writers and a Microphone



I love podcasts. They entertain me in traffic, they help me sleep. And when I'm in the house on my own (as rare as that is during the summer holidays), they keep me company during coffee breaks.

So it was really cool to actually appear on one. Especially one that let me talk about crime fiction, with a dash of boxing and MMA. If you know me, you'll know these are a few of my favourite things. I also got to read an excerpt from my recently re-released novella, The Point (hence it's appearance in the lovely collage above, which I swiped from the @TwoCrimeWriters Twitter feed).

Here's a link to their iTunes page. I'm in Episode 38. The other 37 are great too. I know because I've been listening from the start. I've subscribed to the series. You should too. Maybe review it as well, if you're feeling generous. Podcasts chart better when they're well-reviewed. Messrs Cavanagh and Veste finance this gig out of their own pocket, to give us free entertainment. Pay them back with a little love.

If you use an Android phone there are many ways to get the podcast. Here's one.

Listen, become a fan, thank me later.

Peace.


Tuesday, 20 September 2016

Writing Crime: Panel Discussion

This Thursday, 22nd September 2016, I'm hosting an event at The Aspect Literary Festival in Bangor. Here are the details:

Venue: North Down Museum

Time: 6 pm

Tickets: £7

Get an insight into the minds and practice of crime-writing authors Brian McGilloway and Steve Cavanagh as they talk to Gerard Brennan (crimesceneni.blogspot.co.uk).

Brian McGilloway is the New York Times bestselling author of the critically acclaimed Inspector Benedict Devlin and DS Lucy Black series. In 2014, Brian won BBC NI’s Tony Doyle Award for his screenplay, Little Emperors, an award which saw him become Writer In Residence with BBC NI. His latest novels in 2015 were The Forgotten Ones and Preserve The Dead.

‘Preserve the Dead is storytelling of the highest order from one of Irish crime writing’s most unassuming masters’.
Irish Independent

Steve Cavanagh writes fast-paced legal thrillers set in New York City featuring series character Eddie Flynn. His debut novel, The Defence was long-listed for the Crime Writer’s Association Ian Fleming Steel Dagger, and shortlisted for two Dead Good Readers Awards. His new book, The Plea, was described by Ian Rankin as, ‘A gripping twisty thriller’.

‘Lively, clever and enjoyable . . . Cavanagh writes vividly about American injustice . . . The constant action is interrupted only by absorbing courtroom scene’.
The Times

Book your place here.

Tuesday, 17 November 2015

Luca Veste Comin' to Bel-fast, eh?

Go to No Alibis tomorrow because this:

Luca Veste
In Conversation with Steve Cavanagh
Wednesday 18th November at 6:30PM
Tickets: FREE 



"No Alibis is pleased to invite you to celebrate the launch of Luca Veste's new novel, BLOODSTREAM, on Wednesday 18th November at 6:30pm.

Social media stars Chloe Morrison and Joe Hooper seem to have it all - until their bodies are found following an anonymous phone call to their high-profile agent. Tied and bound to chairs facing each other, their violent deaths cause a media scrum to descend on Liverpool, with DI David Murphy and DS Laura Rossi assigned to the case.

Murphy is dismissive, but the media pressure intensifies when another couple is found in the same manner as the first. Only this time the killer has left a message. A link to a private video on the internet, and the words 'Nothing stays secret'. It quickly becomes clear that more people will die; that the killer believes secrets and lies within relationships should have deadly consequences...

Luca Veste is a writer of Italian and Scouse heritage, married with two young daughters, and one of nine children. He is currently studying psychology and criminology at University in Liverpool.

His debut novel - DEAD GONE - was released by Avon/HarperCollins in December 2013/January 2014. Part psychological thriller, part police procedural, it introduces the detective pairing of DI David Murphy and DS Laura Rossi. The second in the series - THE DYING PLACE - was released for ebook in October 2014, with the paperback following in December. He is also the editor of the Spinetingler Award nominated charity anthology 'Off The Record', and co-editor of 'True Brit Grit', also an anthology of short stories for charity.

A former civil servant, actor, singer and guitarist (although he still picks it up now and again), he now divides his time between home life, Uni work and writing.

Book your place early to avoid disappointment, by emailing David or by calling the shop on 9031 9607."

So there you have it. Luca Veste and Steve Cavanagh. It'll be a cracker.

And, to whet your appetite, there's a very entertaining "Writers in Conversation" piece over at The Writer's Workshop featuring the dynamic duo. Check it out.

Saturday, 9 May 2015

Five Questions -- Steve Cavanagh

Steve Cavanagh was born and raised in Belfast and is a practicing lawyer. He holds a certificate in Advanced Advocacy and lectures on various legal subjects (but really he just likes to tell jokes). He is married with two young children. The Defence, has been chosen as one of Amazon's great debuts for 2015, as part of their Amazon Rising Stars programme. In 2015 Steve received the ACES award for Literature from the Northern Ireland Arts Council. 

Steve writes fast-paced legal thrillers set in New York City featuring series character Eddie Flynn. The Defence is his first novel. 

Find out more at http://stevecavanaghbooks.com/ or follow Steve on Twitter @SSCav



Eddie Flynn, lawyer, con man, drunk. How much of this is autobiographical, Steve? I know you're a lawyer. Two out of three wouldn't be too bad...

Well, while I was at University, and probably for a good few years afterwards, I would've been a man with a powerful thirst. One of my best mates, Mark, is a guy from my QUB Institute of Professional Legal Studies class, and the only reason I know him is because we both liked to turn up to the pub an hour before any social event began so that we could have a few before the crowd arrived. We didn't arrange it or anything, we just happened to be men with similar approaches to an evening's entertainment. I remember somebody once handed me a pint, the glass was soaking and the pint simply slipped right through my fingers. I had my order in for another one before the glass hit the ground. Now I have two small children. The rock and roll days are over. As for con man? There is a certain amount of sleight of hand in any good cross examination. That's where the overlap is between the courtroom and the back alley. Eddie straddles that line precariously.

I noticed that you used US spelling (eg color rather than colour) in the UK edition of your book. What's the craic with that?

Glad you spotted that. It was my editor's suggestion. As the book is in US English anyway with an American narrator, may as well go the whole hog. I think it helps a little with authenticating the American voice that I'm going for. I've noticed it before in John Connolly books and to be honest it's fine with me because it means I don't have as much work to do for US publication.

Ah! The mighty Connolly. It must tickle you that you're likely to be stocked out pretty close to him on the crime fiction shelf. Recommend one of his works, for the uninitiated. Please?

There is so much to recommend, but for the crime fan you simply have to read the Charlie Parker series. You can read them out of sequence, I have a little. But you get a far better experience reading them in order. Start with Every Dead Thing and work your way up. EDT is one of the best crime debuts you'll ever read. And the books just keep getting better. That's rare in series fiction. Yeah, I'm stoked that I get to be on a shelf with one of my heroes.

Your story in Belfast Noir was top notch and it featured an actual Belfastian solicitor. Any plans to set a novel in Belfast?

Yes, a solicitor and a barrister with the story focussed on barrister, Mack. I loved writing that story. It's a weird thing, I wrote The Defence as an escape, primarily for me. I was going through a hard time and I wanted to try writing again. If I had come home from a day's work being a lawyer in Northern Ireland and sat down to write for two or three hours about being a lawyer in Northern Ireland I think I probably would've gone insane. At the time I wanted to escape somewhere else for a few hours, into a different world. After I wrote The Defence I knew I wanted to write another book with Eddie Flynn - I find him very interesting and I can pretty much accomplish everything that I want to do right now, in fiction, using that character. If I ever give up the law, I may write a book set in NI but not at the moment. I have a few ideas, but for now I want to concentrate on Eddie's story.

You know we're pretty sold on The Defence at CSNI. Care to share a tag line for the next instalment?

This is the hard part, I'm terrible at writing blurbs. I can tell you that this next book is currently titled The Plea and, among other things, it looks at international money laundering, the grand jury system, and welcomes back some of the characters from The Defence. In the new book Eddie Flynn has two clients. Two cases. Both very different. One client is innocent and the other is guilty. He can only save one of them. It's an easy choice for most lawyers, but what if the guilty client was Eddie's wife? Will he sacrifice the life of an innocent man to save his wife? He's got 48 hours to decide. But no matter what choice he makes, the only certainty is that at eight o'clock on Saint Patrick's Day Eddie Flynn will die.



Thursday, 26 February 2015

The BelTel Backs The Defence

Image taken from Belfast Telegraph website.


Janey Mac, sure it's nearly March.

What does that mean?

An end to the shite weather?

Probably not. It's Northern Ireland.

A mega session on St Paddy's Day?

Unlikely. I usually spend the day with the kids, and will do until they don't want me to.

A new book from the Northern Irish crime fiction set?

Actually, yeah. A debut. And there's plenty of buzz surrounding The Defence. For instance, check out this mega feature in that there Belfast Telegraph (first printed in yesterday's edition).

There's also plenty of good word coming from early readers (of which I am one). Two opinions in particular stick out. Both Brian McGilloway and Stuart Neville, CSNI favourites, have this to say:

A full-on thrill-ride that hits the gas on page one and doesn't let up until the end. Steve blends a taut legal thriller with a ticking-clock suspense plot and throws in a great protagonist in the form of Eddie Flynn that readers will want to see again and again. A terrific debut (Stuart Neville)

Like Mickey Haller and Mitch McDeere before him, readers will love lawyer Eddie Flynn, the star of this high-octane, hugely entertaining legal thriller. On the evidence of this blistering debut, we'll be hearing much more of Steve Cavanagh (Brian McGilloway)

I had a little something to say about it too.

So, you interested? If you're geographically able, I highly recommend you get in touch with Dave at No Alibis and book your seat at the launch. It's on the 12th March at 6.30pm.

You'll kick yourself if you miss it.

Friday, 2 January 2015

The Defence by Steve Cavanagh, coming soon...



The CSNI verdict:

Get ready for a legal thriller that’ll grab you by the throat, whisper sweet nothings in your ear and shove a gun muzzle in your belly. Eddie Flynn, a New Yorker who has flirted with both sides of the law, makes his explosive debut in THE DEFENCE by Steve Cavanagh. Lawyer Eddie Flynn is about to discover that his criminal past is both a burden and a blessing. With the Russian mob on his case, he has to draw on his old skills as a con-artist to keep himself and his ten-year-old daughter alive. And yet, with every hard fought victory comes another challenge for the quick-witted, grifting lawyer. The Russian mob, the NYPD, the FBI, the DA, and his own personal demons are queued up to take a swing at him. Ladies and gentlemen, THE DEFENCE never rests.

Cavanagh's debut will be released in March. Pre-order it here.

Tuesday, 29 April 2014

#mywritingprocess


First off, thanks to Steve Cavanagh for the kind invitation to contribute to this bloggy chain-letter-type thing. Steve is Northern Ireland’s latest crime fiction success story, and if you want to find out more about him, go read his Writing Process blog post, right here. Then read more of his blog posts. They’re always good. You’ll notice that he’s one of those writers who does things the right way. That’s how come he’s got a swanky deal with one of my favourite publishers, Orion. Lucky (hardworking) fecker.

You back from Steve’s gaff yet? Sound. Here’s my post:

a) What am I working on?

Thanks for asking! Today I finished up a short story for an anthology I was invited to contribute to. It’s a noir piece with a bunch of supernatural stuff loosely based on the Morrigan myth. It would have fit well with the Requiems for the Departed brief, but I chose not to contribute to the Irish myth/crime fiction anthology because I co-edited the book and that seemed like a liberety.

Other than the short story, I’ve got a creative writing PhD keeping me busy, for which I must produce a new and ‘highly original’ crime fiction novel along with a critical piece on some old school greats. And I’m working on a Northern Irish police procedural during all those awesome university holidays.

b) How does my work differ from others of its genre?

People tell me I have a unique voice, so I guess I’ve set myself apart stylistically. I’m quite proud of myself when somebody says that, actually, so it must be important to me. I set pretty much all of my stuff in Northern Ireland, though I tend to avoid the Troubles. That’s not to say I won’t examine the Troubles in the future. In fact, I plan to do just that. But for now, that’s something else that readers point out as somewhat original. Also, my work has a noir quality to it. The great Stuart Neville once described by work as Norn Noir (a play on the term Norn Iron which is how some of the natives pronounce Northern Ireland). A shame that many agents and publishers aren’t interested in the Northern Irish noir sub-genre at the moment, though.

c) Why do I write what I do?

Writing is a long and solitary process. If I wasn’t spending time with the type of characters I create, I’d get bored very quickly. In fact, I’d jack writing in if it didn’t entertain me. So I guess it’s just a case of writing the kind of stuff I’d like to read.

d) How does your writing process work?

Most of the time it doesn’t work. I get distracted really easily, unfortunately. However, in those moments when the writing machine is firing at full tilt, I’ve found I do my best work in the morning, so long as I’ve prepared a little the night before. And the preparation doesn't have to be all that time consuming either. If I have a decent outline written, I can read the beats for the chapter or chapters I hope to write the next day. Sometimes I'll add additional notes to clarify the beats or to incorporate a new idea. Then I can get cracking on the actual writing the next morning. This is a relatively new process for me, but it helped me write my latest novella, BREAKING POINT, in less than a month. That's an output record I want to beat in the summer, after I've met my PhD deadlines in May.

There’s a writer called Sean Platt who penned a great blog post that describes a process similar to mine right here. This guy’s output is pretty stunning; he’s much more productive than I am. So read that, and you’ll find out how I’d like my process to work.

Right, so, the three writers that I’d like to continue this chain-letter-type bloggy thing are:


I met both Michael and Caroline on the MA in creative writing at QUB a couple of years ago. Their writing rocks and they’re starting to get the recognition they deserve. I met Mark McCann at No Alibis and again at Kitty Daly’s pub in Belfast. Turns out he’s a good friend of a good friend of mine, and he’s a rather funky author of supernatural noir. What’s not to like?

Keep ‘er lit, folks!

Wednesday, 6 November 2013

Guest Post - Steve Cavanagh on Killer Books, meeting your heroes and the verisimilitudes of poo.



Stephen King is probably the greatest living writer.

If you read that statement and immediately thought it was wrong and such names as Martin Amis, Jonathan Franzen or Salman Rushdie sprung to mind, you would be well advised to stop reading at this point, have a lie down and then enjoy some herbal tea.

I’m not an intellectual. I don’t enjoy literature (whatever that is) as much as crime fiction or thrillers. Kingsley Amis, Martin’s father, felt the same way. He liked thrillers and preferred Ian Fleming to Flaubert (much to the chagrin of his son).

By the way, in case you’re wondering whether you yourself are an intellectual, you can always tell by taking Billy Connolly’s test.

The test is simple – If you can listen to the William Tell overture without thinking of the Lone Ranger, you’re an intellectual.

Still here?

Good.

Apart from his considerable gifts as a novelist, Stephen King is a marvellous wit, raconteur and a man of considerable patience. One of his tales concerns an encounter with an elderly fan who had particularly poor timing. When touring, King would usually spend his early mornings doing the rounds of various television and radio breakfast shows, promoting his latest novel. In the afternoon there would be signings and events, in the evening a dinner with booksellers and industry people before either a late flight or a ridiculously early start the next day. Even if you’re doing something that you love, that kind of schedule is exhausting and when this particular story takes place, King is at that stage of the tour where he was feeling pretty wrung out.

During one such dinner, King felt a dark and powerful force take hold of him. It started with a fever, then cold clammy skin, followed by a surge in his bowels that could only be described as ‘commanding.’ He left the table in a hurry and dashed to the newly refurbished bathrooms in the stylish 80’s restaurant where he was being treated to dinner. The bathrooms were, well, very new, in that the bathroom stalls had no doors. By that I mean, no door, not a half door, not even a screen, nothing - just a cubicle wall on either side of a proud, and very public, toilet. King rushed past the bathroom attendant who looked to be 105 years old and sat down to empty what, at that stage, felt like his very being.

Head resting against the cold tiles lining the stall, his trousers at his ankles, wondering (a) if he would ever walk again and (b) how much ice he could pack into his underwear - King shuddered, swore under his breath and closed his eyes as the ancient bathroom attendant shuffled towards him, pad and pen in hand – ‘I saw you on breakfast TV Mr King, can I have your autograph?’

Did he sign it?

Of course he did.

He’s Stephen King.

The attendant was obviously star struck and no matter what, he wanted that autograph.

I can relate to that, to an extent. Over the past year I’ve met some of my writing heroes; writers that I admire enormously and read greedily. When I met some of them I was also in the process of writing my first novel, The Defence. There was that awkward, nervy moment before I blurted out ‘oh, I kinda’ do a bit of that writin’ stuff too, you know,’ and immediately wished that statement had remained unblurted. But I needn’t have worried, Colin Bateman, John Connolly, Declan Burke, Jeffrey Deaver, Brian McGilloway and others, were more than encouraging. But I suspected that some of them had that ‘LA actor’ story in the back of their minds. You know the story -

‘Did I mention I’ve moved to LA? Yeah, I’m an actor now.’

‘Really? Which restaurant do you work in?’

That kind of thing.

If they did have that ‘LA actor’ impression in their minds, and who can blame them, then they were both kind and sensitive enough not to show it. I suspect it’s because many of them were once an aspiring, frustrated writer trying desperately to get published and maybe they had that moment when they met one of their writing heroes.

This brings me neatly to a legend of crime fiction, who must remain nameless, and their story about not meeting Lee Child. The nameless legend was at a crime writing festival and wanted to meet the creator of Jack Reacher. A group of writers were outside the venue talking to Lee Child. The unnamed legend described that awkward kind of hanging-back-thing we all do whilst nervously awaiting that opportune moment to interject and introduce oneself.

The anonymous legend waited. Some people departed. There was space to nip in and hold out an open hand to a fellow legend. He seized his chance to introduce himself to Lee Child and he duly nipped, he extended the hand, he took a breath and…. at precisely the same moment an excessively large bird turd exploded across the impeccably tailored jacket that contained Lee Child. The moment was gone, along with Lee Child who presumably departed in order to assemble his sniper rifle before exacting Reacher-esque revenge on the offending bird.

So you see, poo doesn’t always assist in meeting writing legends. Particularly when said poo is released from a high altitude.

Is there a lesson in this?

You’re damn right.

If you want to meet Lee Child, wait until he sits his ass on the toilet.

Well, actually, no, don’t do that. Lee is well over six feet tall, charming and polite, of course, but even so, if you approached him inappropriately whilst in a lavatory, he would probably snap your neck with his bare hands (a sniper rifle would be a tad unwieldy in a toilet cubicle).

The truth is, if you wanted to meet Lee Child you should have gone to Killer Books.

He’s super-cool. I met him last weekend at Brian McGilloway’s brilliantly curated Killer Books Festival in Derry/Londonderry. I met lots of other fantastic writers including – said Mr McGilloway, Andrew Pepper, Stuart Neville, Declan Burke, Gerard Brennan, Claire McGowan, Alan Glynn and fellow solicitor/writer Des Doherty and all of them made me feel really welcome. Declan and Brian even introduced me to Lee Child. It is often remarked that crime writers are overwhelmingly supportive and welcoming of new writers. So they are, and I’m immensely grateful for their generosity.

This time (being only a semi-not-yet-published-idiot with the ink still wet on my publishing contract) after a genuinely friendly chat with writers that I admire and look up to, who have no business talking to a newbie like me, but who do so because they too are super-cool, I didn’t feel so much like an actor who had just moved to LA.

Well, actually, I did - a bit.

And I suspect I always will.